![]() ![]() The whorl pattern with the weirwood in the center represents a galaxy with the space god weirwoods at the center.The weirwoods shaped human evolution to some degree.The above ground “trees” are merely the “fruiting bodies” the main organism is underground.The weirwood roots extend throughout all of Planetos (except through bedrock), including under the oceans, (“krakens” might be weirwood roots?).it had existed on Planetos/Earth for at least 1,000,000 years with a low level of consciousness, feeding on whatever blood it could find and shaping the children of the forest from humans to serve it better, it has spread planet-wide in that time, in Essos it is the Shade of the Evening trees.the asteroid that carried it here landed on what became the God’s Eye, and that is Weirwood’s main seat of power (Yggdrasil, Well of Urd) its second seat of power is under Winterfell (Hvergelmir, “boiling, bubbling spring”) and the third was Bloodraven’s cave (Mimisbrunnr).It has the ability to reach out into space and pull meteors or other objects in to the planet, this is how it spreads from planet to planet.The Weirwoods have telekinetic and telepathic abilities.The Weirwoods are a 5 th dimensional psi-fungus from outer space, that was carried to earth on a asteroid, they feed on blood and psychic energy created by suffering of living creatures and feelings of terror (I think this was inspired by the interplanetary fungus from Mote in God’s Eye, and is featured in many of GRRM other works, 1,000 worlds).Norse mythology is the closest mirror to the events in ASOIAF, there is often a direct match for characters (which others have covered and I may visit in a follow-up post), but many of the other pagan mythologies contain a portion of the truth, (e.g Meso-American, Greek, Babylonian, and Egyptian mythologies). ![]() Many people have commented that GRRM has borrowed elements from various world mythologies, I think it is the other way around, he is depicting the original story from which many world mythologies have been derived.The cosmogonic history thus patched up between them") The authors did not fully understand what was really going on, so no coherent picture of global events is formed in the text, they focused mostly on local politics, we must piece together the real history from fragments and clues hidden in the text, (as "in the prose Edda, Ginki, the wise king, travels in search of knowledge to the home of the Norse gods, each of whom supplies the visitor with some piece of special information.what we are reading is an oral history created by primitive peoples to attempt to explain what happened before the a cataclysmic flood that reset human civilization and wiped most humans out.Many or most of the events described in the books did not occur as described if they happened at all, characters may be amalgamations, or aspects of one person. ![]() It is a grand-unifying conspiracy theory that unites Ancient Aliens, pagan gods, magic/sorcery, Dragons, human sacrifice, Sacred Trees, prophecy, the Flood myth, the Afterlife, etc., into a coherent narrative-which is that they all are describing some version of true events from human history filtered through the lens of Iron Age humans who had very little understanding of what they were witnessing from a time when magic really existed before a cataclysmic flood which wiped out most of the humans and marked the end of “magic” on Earth. It is euhemerism, a garbled, half-remembered, fragmented, mistranslated account of the real human history on Earth which weaves together many of the common mythologies/conspiracy theories of early and modern humans. Here is my take on ASOIAF-it is a of post-apocalyptic science-fiction story, but the twist is that it takes place on our Earth, in our timeline, in our past. “One voice may speak you false, but in many there is always truth to be found.” ![]()
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